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查斯玛依·约伯冢Chasma-iAyubKhazira

摘要: 查斯玛依·约伯冢(Chasma-i Ayub Zhazira),公元13 世纪;查斯玛依·约伯冢是中亚建筑的代表。首先蕴含的宗教价值观,代表了对Ayub的崇拜和他的故事,在早期基督教和犹太教的资料中被称为Jove (Job)。其次,它是11世纪至15世纪中叶喀喇汗王朝统治时期陵墓和建筑装饰艺术的代表。当时,这是一种独特的陵墓形式,没有其他哈兹拉有这样的入口。在前蒙古时代(12 ...
查斯玛依·约伯冢(Chasma-i Ayub Zhazira),公元13 世纪;
查斯玛依·约伯冢是中亚建筑的代表。首先蕴含的宗教价值观,代表了对Ayub的崇拜和他的故事,在早期基督教和犹太教的资料中被称为Jove (Job)。其次,它是11世纪至15世纪中叶喀喇汗王朝统治时期陵墓和建筑装饰艺术的代表。当时,这是一种独特的陵墓形式,没有其他哈兹拉有这样的入口。在前蒙古时代(12-13世纪),雕刻有金色赭石色单色陶土的重要原始装饰非常独特。绿松石釉是最早使用颜色和标记的例子之一。它反映了后来在整个丝绸之路走廊流行的陶瓷技术的重要一步。
UZ-09 Chasma-iAyubKhazira
The mausoleum ChashmaAyub reflects the dynamics of Central Asian architecture. First as a mutual succession of religious values, representing the cult of Ayub and his story that is known in early Christian and Jewish sources as Jove (Job). Second, it was a representative type of mausoleum and architectural decorative art of the period from the reign of the Karakhanids in the 11thcentury until the middle of the 15thcentury. At that time, it was a unique form of mausoleum and no other khazira had such a portal. The significant original décor of carved monochrome terracotta tinted with golden ocher is very unique for pre-Mongolian times (the 12th-13th centuries). The accents of turquoise glaze are one of the first examples of employment of color and mark. It reflects an important step in the ceramics technology that, in later times, became prevalent along the entire Silk Roads corridor.

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